“Mind the door” [and the cannibal]: DEATH LINE (RAW MEAT) – Gary Sherman, 1972
Demented cannibals, cut off from civilisation and preying on unsuspecting travellers…
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The Cannibal as superhero – “HE NEVER DIED” (Jason Krawczyk, 2015)
“I’ve killed nine-year-olds for no reason at all. What makes you think you have a chance?
School for cannibals: “Raw” (Ducournau, 2016)
She discovers what excites and pleases her, while being abused and humiliated. We sit in the cinema thinking: that’s exactly what growing up was like!
“There’s something evil in those woods”: SUPERNATURAL Season 1, Episode 2 “Wendigo”
“Killing as many evil sons of bitches as I possibly can”
“…to keep your family alive”, CADAVER (Herdal, 2020)
“What would you do to keep your family alive?”
Racists and Cannibals: JUNGLE JITTERS (Friz Freleng, 1938)
depicting primitive natives indulging in cannibalism was unproblematic, but the “Hays Code”, which set the moral guidelines for American cinema from 1934-1968, definitely frowned on miscegenation
Feminism and cannibalism: SHE NEVER DIED (Audrey Cummings, 2019)
“I eat people. It’s not the same.”
50 ways to eat your lover: GRIMM LOVE (Martin Weisz, 2006)
“Oliver Hartwin wanted to eat someone. Simon Grombeck wanted to be eaten. They were a perfect match.”
“All I want is to eat that arm and become like you”, DISTRICT 9 (Neill Blomkamp, 2009)
“You must eat them, and their power will live in you.”
“Is Hannibal in love with me?” HANNIBAL 3:12 “The Number of the Beast Is 666”
“He’s a vicious, perverted, sexual failure. An animal.”
