THE LONE RANGER (Verbinski, 2013)

This film had a lot of publicity due to the cast – Armie Hammer (since mired in cannibalism scandals as detailed elsewhere) plays the Lone Ranger and, wait for it, Johnny Depp (mired in different scandals altogether) plays his Native American off-sider Tonto. Depp claims he has Native American ancestry, perhaps a great-grandmother, so I guess that’s fine. Helena Bonham-Carter is in there somewhere too, as a brothel madam with an ivory leg – she has certainly graced this blog before, and with Johnny Depp! The director, Gore Verbinski, directed The Ring and the first three Pirates of the Caribbean movies, at least one of which I recall walking out of, but so forgettable were they that I can’t remember which one.

Set in the Wild West in 1869, the Lone Ranger starts off as a lawyer named John Reid, coming to Texas as DA to impose law on a savage land, like Jimmy Stewart in High Noon. His “bible” (he tells the Presbyterians on the train) is John Locke’s Treatises, which insist that

“Whenever men unite into society, they must quit the laws of nature and assume the laws of men, so that society as a whole may prosper.”

Good luck with that.

Reid’s brother, a Texas Ranger, deputises him to help catch an escaped outlaw named Butch Cavendish (William Fichtner from Armageddon, Black Hawk Down and many more). All the deputies are killed by Butch’s gang, except the old drunk, who is working with the outlaws and leads them into an ambush. That could easily (and perhaps mercifully) have been the end of the movie, but Reid is awakened by a “Spirit Horse” and Tonto explains he cannot be killed in battle. He also tells Reid that Butch, the outlaw, is a Wendigo, a figure from Algonquin legend – the tribes from the north of America, and nothing to do with Comanche mythology, but hey, maybe Tonto read this blog.

A Wendigo eats people and gets bigger and stronger as a result, but also hungrier. According to Tonto, he can only be killed with a silver bullet (I think that’s actually vampires, kemosabe). Incidentally, Tonto in the original radio series was not a Comanche but from the Potawatomi nation (who might have referenced Wendigos), but let’s not bother too much with, you know, facts. After all, a spirit horse may have edited the script.

So Reid is still alive and puts on his mask (about an hour into the film), Butch captures his dead brother’s wife and child, a whole tribe of Comanches are massacred by the US Cavalry (that has a ring of truth to it at least), but why on earth is this nonsense being reviewed in a blog about cannibalism?

Well, Butch may or may not be a Wendigo, and may or may not require a silver bullet to kill him (he doesn’t), but he is a cannibal. He is pretty keen on eating people’s hearts, or eyes, or maybe his own foot, according to rumour.

The problem with the movie is that it really can’t decide if it’s a Western drama or a comedy. The bad guys are the essence of evil, but the good guys are clowns. Then in the middle they put a gratuitous massacre of Comanches which at least adds a touch of historical realism.

The special effects are pretty great, with people on horses chasing trains, jumping on trains from horses, jumping on horses from trains, and trains getting derailed and crashing spectacularly. The scenery is gorgeous (Monument Valley of course, even though the film is purportedly set in Texas).

But it flopped at the box office, grossing $260 million against the $650 million that it was estimated to need to break even. Rotten Tomatoes gives it a miserable 31% ‘rotten’ rating, with those 31% mainly loving it, and the rest totally trashing it. The New York Post called it a

“bloated, misshapen mess, a stillborn franchise loaded with metaphors for its feeble attempts to amuse, excite and entertain.”

Then again, the San Jose Mercury News was more forgiving, describing it as a “one hot mess”, but an entertaining one.

If you have two and a half hours to waste, I guess it will keep you amused or shocked or sickened or whatever you take from it. I reviewed it here because it has a bit of cannibalism (Butch eats the Lone Ranger’s brother’s heart) and because Tonto calls him a Wendigo. And there’s not much that’s better than a Wendigo movie.

2 thoughts on “THE LONE RANGER (Verbinski, 2013)

  1. Pingback: “A spoiled bloodline of inbred animals”: BONE TOMAHAWK (S. Craig Zahler, 2015) – The Cannibal Guy

  2. Pingback: Cannibalism as contagion: ANTLERS (Scott Cooper, 2021) – The Cannibal Guy

Leave a comment