Tomorrow I will cook him – “ARMIN MEIWES” (SKYND, 2022)

Seems to be the month for cannibal music videos. Last week we looked at the new song CANNIBAL by Marcus Mumford, directed by Steven Spielberg. A beautiful ballad about metaphoric cannibalism, the kind of cannibalism that relationships can turn into, particularly abusive ones. Mumford seems to be referring to child abuse, accusing his abuser of taking “the first slice of me and you ate it raw. Ripped it with your teeth and lips like a cannibal.”

This week’s video (the clip is at the top of this blog) is by the industrial/electronic music duo SKYND, who pioneered the true crime music genre, which presents stories based on murders and other crimes. They have previously written about the death of Elisa Lam whose body was found in a hotel cistern in LA, the manslaughter of Conrad Roy whose girlfriend sent text messages encouraging him to commit suicide, the mass suicide in Jonestown, the Columbine High School massacre, and killers such as Gary M. Heidnik and Katherine Knight.

Most of those songs weren’t about cannibals (Katherine Knight maybe, who killed and cooked her husband, although she didn’t eat him). But the song we are reviewing today retells poetically the story of one of the world’s most famous cannibals, Armin Meiwes, the German man who advertised for someone who wanted to be eaten, and then ate him.

The song starts with the repeated refrain

Let him be fat or lean, let him be fat or lean
Tomorrow I will kill him, tomorrow I will…
Let him be fat or lean, let him be fat or lean
Tomorrow I will cook him, tomorrow I will

This is a reference to the fairy tale Hänsel und Gretel, recorded by the Brothers Grimm and published in 1812. You may remember this one giving you nightmares when you were very small – two children are abandoned in a forest by their penurious parents and, on the verge of starvation, come across a gingerbread house which they proceed to chew on, only to be captured by the owner, a witch, who wishes to enslave Gretel and eat Hansel, be he fat or lean. The story was reimagined a couple of years ago as the splendid movie Gretel and Hansel.

You may also remember (at least, Fannibals will) that Hannibal Lecter referred to this fairy-tale when he was serving up dinner to Abel Gideon; Gideon’s own leg, smoked in candy apples and thyme, glazed, and served on a sugar cane quill.

Armin Meiwes advertised in 2001 on a fetish website called The Cannibal Café for “a well-built 18 to 30-year-old to be slaughtered and then consumed”. The only reply that seemed sincere, indeed eager, was from a man named Jürgen Brandes, who was not really well-built or 18-30, but Meiwes was a tolerant sort of bloke, or perhaps desperate for his first human-meat meal, so they got together and, after getting to know each other (which included slicing off Brandes’ penis and cooking it), Meiwes left his friend to bleed out in the bath, and then proceeded to butcher his carcass and eat the meat, in a variety of cuts:

Cutlets
Ham
Goulash
Steaks
Knuckles
Bacon
Portion by portion
Cator, you’re a part of me now

Forever

There is also a reference to Meiwes in the Hannibal episode “Digestivo”, when Mason Verger is planning on eating Hannibal and refers to Meiwes and Brandes eating the latter’s penis, even though it was radically overcooked.

If you want to know more about the case (for which Meiwes is still serving time), there are several excellent links on the Skynd case files website (these guys do their homework!).

Skynd said in an interview:

“When I investigated the case, I watched an interview with him. Meiwes didn’t seem like the typical beast you’d imagine when you think of a ‘cannibal.’ But then again, you might ask yourself, ‘What does a cannibal even look like?’ It’s a story that hasn’t left me for years and I feel like I have finally translated it into music.”

There are a lot of documentaries on this event, which mostly involve ominous music and hushed narratives and absurd comparisons to Hannibal Lecter. Also a movie in which their names were changed, and another one in which they weren’t given names at all.

Or you can just watch this video, which sums up the salient points rather succinctly.

Table set for tonight
Waited for this all my life
Candle lights shining bright
Pull the cork, pour the red wine
Long, big steak on my plate
Potatoes and sprouts on the side
I savor my first bite
Satisfied my appetite
.

But before the killing and eating, which Meiwes had wanted to do for most of his life (and which Brandes seemed to want just as much), there was the question of what the “livestock” industry likes to call “humane slaughter”, one of the great oxymorons of the modern world. Brandes apparently wanted to be eaten alive, feel teeth tear into his flesh, but Meiwes was more considerate – pain may be a fun sexual fantasy, but it can really hurt. So they stopped on the way home (Brandes had only bought a one-way train ticket) and bought cough medicine (BREToN, which according to Google is Tulobuterol Hydrochloride and is for “asthma exacerbation”, although the website does rather hilariously say:

Breton Syrup may also be used for purposes not listed here”

Two bottles of that, a fistful of sleeping tablets washed down with a bottle of schnapps, and Brandes was good to go. They collaboratively cut off his penis (again, it was supposed to be a tooth job, but it was too tough) and cooked it. It was inedible, and Meiwes threw it out (although an urban myth has developed that he fed it to a dog). Then Meiwes put Brandes in the bath to bleed to death and went off to read a Star Trek novel.

Pain killers, cough syrup
Sleeping pills, bottle of schnapps
Sink your teeth, chew it up
Take a knife, make a clean cut
Roast the flesh, medium heat
Add garlic, pepper and salt
Meat is too tough to eat
So I’ll feed it to the dog.

Waiting for him to bleed out
Reading Star Trek for three hours
Finally kiss him once and kill him then slaughter him like a piece of…
Like a piece of livestock
.

The clip ends with Father (the multi-instrumentalist other half of the duo) appearing as Meiwes, sitting down to have ‘an old friend for dinner’.

Of course, that is the point of this story. Farmers claim to love their animals and then send them off to a terrifying death, hung upside down with their throats cut. There is evidence that Meiwes probably witnessed the slaughter of pigs when he was a child, and found it arousing. In an interview, Meiwes said the butchering was simple:

“It was like cutting up a pig. Meat is meat.”

Meiwes was originally convicted of manslaughter, which caused an uproar in the media. His story was soon adapted in movies, and in the song Mein Tell” by Rammstein, who then faced the threat of being sued by the cannibal for plagiarism!

Meiwes’ verdict was later amended to murder, a strange decision – can you murder someone who wants to die? His simple claim in his defence was that, unlike pigs, sheep, cows, chickens and other animals, here was a willing victim who consented to, indeed demanded, his own slaughter and consumption. Is it not clearly more ethical to eat an animal who wants to be eaten, whatever the species, than one who does not?

“The eating of the heart is a powerful image” HANNIBAL Season 3, Episode 1 “Antipasto” (Fuller, 2015)

Look, I know from the Fannibals sites that some people didn’t like Season 3, or at least not as much as one and two. I humbly beg to disagree. This season sees Hannibal exposed and ferocious, no longer wearing his “person suit” in which he was pretending to be the respectable psychiatrist, trying to help the FBI catch – well, himself. At the end of Season 2, he left most of the cast writhing in pools of their own blood, and we saw him drinking champagne on a plane to France. His psychiatrist, Bedelia, was by his side, wedded to him, it seems, by their shared responsibility for the death of her patient, whom Hannibal had referred to her. Obligated to him by his helping her cover up her killing.

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Hannibal’s fairy tale is set in Florence, Italy. You may remember a Hannibal of a different generation, in Silence of the Lambs, telling Clarice Starling that memory is what he had instead of a window, as she admired his drawings of the Duomo. Hannibal, it turns out, is an expert on pre-Renaissance Italian literature, particularly Dante, and wants the job of Curator and Translator at the Palazzo Capponi, which of course he gets, by killing the previous Curator and then consuming the man chosen to replace him: Dr Fell, who he meets and eats in Paris. Also by being able to recite Dante from heart at a moment’s notice:

Joyous appeared he in his hand to keep
my very heart, and, lying on his breast,
my lady, veil-enwrapped and full asleep.

But he awakened her, and of my heart,
aflame, he humbly made her, fearful, taste
I saw him, finally, in tears depart.

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Bedelia is no longer pretending not to know what Hannibal does, or of what he is capable. She has an insight into his Nietzschean ethos

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And Hannibal is loving Florence.

“I’ve found a peace here that I would preserve. I’ve killed hardly anybody during our residence”.

Well, the old Curator. And Dr Fell. And Mrs Fell. But the rude Professor Sogliato, who is a natural for dinner because he has been opposing Hannibal’s appointment and being, well, rude about his Italian – will he kill and eat him? No, that would not serve to preserve the peace.

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Bedelia has a flashback to her apartment, just after the bloodbath of the Season 2 Finale, where Hannibal is showering, washing off the blood. She asked him then what he had done.

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Bedelia is terrified of him, but still, they are living the high life.

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There’s a complication, of course, as can happen when you kill people (maybe eat them) and take their identity. This complication is a young scholar from England, Anthony Dimmond (Tom Wisdom from The Boat That Rocked and Avengers: Endgame) who worked for Dr Fell, cordially detested him, and won’t be too upset when he finds out that Hannibal is taking his place. Hannibal appears to show friendship, in one of those double entendres that Hannibal does so well

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We have another flashback to Hannibal’s extended feast on Abel Gideon, at which the only guest of honour was Abel himself.

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“you wish me to be eating oysters, drinking sweet wines and snacking on acorns.
All to make me tastier?”

Abel’s arm is hanging up in the basement being consumed by snails, to make them tastier. And Abel’s tasty flesh is being eaten by Hannibal

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At the dinner, Dimmond asks Bedelia (AKA Mrs Fell) if she is avoiding meat. She replies with one of the great vegan ripostes

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But what is she eating instead? Ah yes

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Dimmond, being a scholar, tells her

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Yes, Bedelia is being fattened up for a future feast. And she knows it.

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Dimmond gets his hopes up: “Is it that kind of party?” “It is not that kind of party” replies Hannibal. To Bedelia’s amazement, Dimmond gets up and leaves at the end of dinner. Alive.

But not for long. Hannibal is giving a lecture to prove his qualifications for the Curatorship. He lectures on mediaeval art, particularly drawing the comparison between Judas, who betrayed Jesus, and Pietro della Vigna, whose alleged treachery and suicide earned him a place in Dante’s Hell. Disappearing in the glow of his slideshow, Hannibal is soon replaced by the One whom Mads seems to be using as inspiration for his portrayal of Hannibal

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The theme of his talk is

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Lo fe gibetto a me de la mie case: I make my own home be my gallows”.

Realising that he is looking at her, and that he considers that she betrayed him (by resigning as his therapist), Bedelia gets up and rushes home to pack. Dimmond comes to the lecture, realises immediately that Hannibal has replaced Dr Fell, and they stroll through an exhibition of instruments of torture. Why do people love such exhibitions? In fact, why do we love stories about zombies, vampires, cannibals? Hannibal explains

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Or as Dimmond puts it

“What still slaps the clammy flab of our submissive consciousness hard enough to get our attention?”

Dimmond offers a sort of partnership with Hannibal. Big mistake. Since Will, Hannibal is not looking to take on new partners. Hannibal takes him home for dinner, just as Bedelia is about to leave, her bag packed and ready.

Wasting no time, Hannibal wallops Dimmond with a bust of Aristotle (appropriate on so many levels) and has a fascinating exchange with Bedelia as she wipes blood off her face, and Dimmond crawls painfully toward the door. He asks her, and us:

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She knew what he would do. She was curious about what would happen. She anticipated their thoughts, counter-thoughts, rationalisations. Is this (the bloody mess) what she expected? Yes, it was.

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He helps her off with her coat. She’s not going anywhere.

And nor is Dimmond, whose corpse Hannibal folds up into the shape of a heart and leaves in a distant cathedral – but more of that next episode.

And nor are we. We are also curious about what will happen. We also anticipate thoughts, counter-thoughts and rationalisations. We also expect things to happen, whether it be in this show, or in our own lives, filled with appetite and consumption and instruments of torture.

That’s participation.

As usual, Hannibal has the final word, in a line that sums up pretty much everything I have been trying to say about cannibalism, and the link to carnivorous virility, and our assumption that it’s OK  to eat anyone whom we classify as less than us.

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As Claude Levi-Strauss said:

“We are all cannibals”.
Next week: Beneath the Planet of the Apes

Who is the Ripper? HANNIBAL Season 1 Episode 6, (Fuller, 2013)

In this episode, we meet Abel Gideon (Eddie Izard), a doctor, like Hannibal, a killer, like Hannibal, and believed by Frederick Chilton (Raúl Esparza), the “keeper” of the Baltimore asylum for the criminally insane, to be the Chesapeake Ripper (who of course is really Hannibal). Gideon has been in the asylum for the last two years, since killing his wife and her family – on Thanksgiving. The murders ceased two years ago, and Chilton believes, therefore, that Gideon is the Ripper. Will doesn’t buy it.

Gideon kills a nurse in the psych hospital, a grisly murder which Will Graham kindly re-enacts for us (it’s just his thing), including a scene involving eyeballs that could come straight out of King Lear. The nurse’s body is laid out like the “wound man” diagram from mediaeval medical texts (the image that gave Hannibal away in Red Dragon). The nurse’s multiple wounds, however, were delivered post mortem, but Jack remembers taking his new recruit, Miriam Lass (Anna Chlumsky from Veep) to see a Ripper victim, where she deduces that the Ripper keeps the victim alive and conscious during the mutilations. Also, the Ripper removes organs, if only the yummy ones: liver and thymus.

Miriam Lass disappeared while illegally (with Jack’s tacit approval) chasing up the medical records of the victims of the Ripper. He is stricken with guilt and wants to catch the Ripper – enough to (as Will puts it) “get into bed” with Freddie Lounds whom they ask to publicly declare Gideon to be the Ripper. Hannibal is royally pissed off about this. No one gets to take credit for his work.

Now Jack is getting phone calls from Miriam – one while he is asleep in his bed, another from his bedroom while he is interviewing Gideon. Could she be alive after being classified as missing, presumed dead, for two years? The next one has a phone number attached – but when they trace it, they find not Miriam, but just her arm.

Miriam is present in this episode in flashbacks – always in black and white. Over a postprandial brandy, Hannibal asks Jack to share his memories of Miriam, but as the scene fades to a flashback, it is not Jack but Hannibal being interviewed by Miriam. She is asking him about a hunter he treated when a surgeon, who later became a victim of the Ripper. Then she finds a picture of the wound man on his desk (a direct reference to the way Will found out Hannibal in Red Dragon), and Hannibal comes up behind her in stockinged feet and grabs her by the neck.

So, dude – where’s my cannibal? No one is getting eaten in this episode, although there are hints of body parts being removed. But the episode is full of mental cannibalism – the preparation and consumption of thoughts. First – who are the psychopaths? Jack and Will are convinced Gideon is not the Chesapeake Ripper and hope to draw the real one out by getting Freddie to “confirm” a lie. They do something similar (insulting the Tooth Fairy) in the book/movie of Red Dragon, with rather drastic results. Freddie wants to know whether Gideon really is the Ripper. “Why not?” seems to be their reply. After all, Alana explains, “certain personalities are attracted to certain professions”. Psychopaths are attracted to roles as CEOs, lawyers and the clergy. Number five on the list, says Jack (and Miriam tells us the same thing in a flashback), is surgeons.

Number 6, sneers Will, is journalists. Number 7? Freddie makes Will say it: law enforcement. Well then:

Then we have that dinner party – our three favourite psychiatrists (at least until Bedelia makes an appearance next episode), those who feed on our diseased minds, discussing – what else? – tongues. Their tool, and their weapon.

Bloom and Chilton heap compliments as Hannibal serves one of his most gourmet dishes:

Inspired by August Escoffier, we are having Long Tangyuan en papillotte, served with a sauce of duxelles and oyster mushrooms. Picked myself.

They laugh about tongues (the main ingredient), although where would psychiatrists be without them? Alana hasn’t eaten tongue before; Hannibal responds that this was “a particularly chatty lamb” although who knows whose tongue it really is? Chilton, like all good dinner guests, has a story about the Romans, killing flamingos just to eat their tongues, and Hannibal responds with probably the second most famous Hannibal aphorism (after the one that got us all interested in Fava Beans):

Hannibal is speaking in tongues.

 

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