Cannibalism in HK? Model ABBY CHOI murdered and cooked

On February 24 2023, Hong Kong model Abby Choi was found dead in a rental unit in Hong Kong’s northern Tai Po district. Or at least, some of her; Choi’s corpse was not complete. Her head was missing, to be found by the police, after some analysis, in a cooking pot. The police described the crime scene as a “slaughterhouse”, and they found other parts of her body in the refrigerator.

An electric saw and a meat-grinder that had been used to mince human flesh were found at the crime scene, as well as soup pots containing human tissue.

Police have taken into custody her ex-husband Alex Kwong, his father Kwong Kau and his brother Anthony Kwong. All were charged with murdering model Abby Choi a day earlier. Alex Kwong’s mother, Jenny Li, faces one count of perverting the course of justice. None of the four were granted bail.

The former husband, one of the main suspects in the murder, was arrested the next day at a pier in Tung Chung, on one of the city’s outlying islands, Lantau, while trying to flee with just the clothes on his back, and half a million HK dollars and four million $HK worth of fancy watches.

On Sunday, authorities confirmed that a young woman’s skull believed to be Choi’s had been found in a cooking pot that was seized from the house. Officials believe that a hole on the right rear of the skull is where the fatal blow was struck.

Ms Choi lived at Kadoorie Hill in Ho Man Tin and had been missing since Tuesday (Feb 21). Police discovered two legs in the apartment’s refrigerator, as well as the victim’s ID card, credit cards, and other belongings, according to Police Superintendent Alan Chung. Human tissue was found in pots of soup, while the victim’s torso and hands were not at the scene. Chung said:

“Police also have found that the flat was arranged by cold-blooded killers meticulously. Tools that are used to dismember human bodies were found in the flat, including meat grinders, chainsaws, long raincoats, gloves, and masks.”

According to China Underground, Choi’s former father-in-law had rented the flat, which was almost bare of furniture, as were the two bedrooms. Police found two types of choppers, a hammer, face shields, black raincoats, and a purple handbag that belonged to Choi. The suspects reportedly covered the walls with a sail and wore face shields and raincoats to prevent being bloodstained while dismembering the body. This was clearly not a spur of the moment crime.

 More than 100 police personnel were sent to search the Tseung Kwan O Chinese Permanent Cemetery on Saturday, including a diving team who were deployed to the nearby catchwater.

The motive of the murder has yet to be determined, but it is believed to be a financial dispute between Choi, who was only 28 years old, and her ex-husband’s family, involving around 100 million Hong Kong dollars.

As a model, Choi enjoyed international exposure and was photographed at the Elie Saab Spring Summer 2023 Haute Couture show in Paris, France, as recently as January. She also appeared as the digital cover model for the luxury magazine L’Officiel Monaco and attended this year’s Paris Fashion Week.

Choi, who was also known as a social media influencer, has nearly 100,000 followers on her Instagram account, which features photographs of her posing with various luxury brands in locations from London to Paris and Shanghai and aboard yachts in Hong Kong. In her bio she writes that she’s “embracing every moment in life.”

Choi’s friend Bernard Cheng said she had four children: two sons ages 10 and 3, and two daughters ages 8 and 6; a son and a daughter from her ex-husband, who have been placed in the care of the model’s mother, and two children with her present partner.

The murder case has been adjourned to May.

The news has been greeted with horror in Hong Kong. But social media is already making tasteless comments about cannibalism and cunnilingus.

The comment in the social media posts about HK people “always” cooking their murder victims seems a little hard to swallow (sorry). No one has yet accused the alleged perps of eating the human flesh soup found in the pots, and there is some speculation that they were cooking the flesh just to render it down for disposal, or to stop it decomposing. But if you find pots of soup on a stove, you’d imagine that the most likely explanation would be that they were there for degustation. Everything else about the case uses metaphors of carnivorous virility and factory farming – the flat being a “slaughterhouse”, the grinders and protective equipment, and the motivation for the killing – lots of money.

Except in times of chronic famine, or during the Cultural Revolution, China is not known for many cases of cannibalism, unlike some other countries we could (and often do) name. But the Chinese do make some great cannibal movies, including Herman Yau’s Human Pork Buns and Ebola Syndrome (伊波拉病毒), and Fruit Chan’s Dumplings. Check them out, and then ask yourself, what exactly was planned for those pots?

Human Pork Buns: THE UNTOLD STORY (Herman Yau, 1993)

The Chinese title of this movie apparently translates to HUMAN PORK BUNS which is a more accurate description of the film, and also a lot more fun.

It’s a 1993 Hong Kong crime-thriller directed by Herman Yau who has made a few “cult classics” including EBOLA SYNDROME which I reviewed a while ago, and which the director said was his best work.

Both movies revolve around restaurants which serve human meat to unsuspecting diners.

This film is based on a true story – the so-called PORK BUN MURDERS which took place in August 1985 at the Eight Immortals restaurant in Mutya, Macau. A gambler named Huang Zhiheng was charged with the murder of a family of ten in their restaurant, after the father failed to repay gambling debts. Huang moved into their house and took over the restaurant, which he ran for eight months. Body parts from family members were washed up on local beaches and proved to have been severed with precision (discounting the original theory that they had been victims of a shark attack).

As Huang had cut the bodies up, and run the restaurant for some months, rumours naturally started that the flesh of the murdered family had ended up in the pork buns. After all, we (humans) apparently taste pretty similar to pigs. There is no evidence that he actually did this, and he committed suicide before his trial, but anyway, it’s the premise of this movie, which claims to be no more than a fictionalised version of the Pork Bun Murders.

Look, it’s pretty graphic – there are beatings, torture, a rape (involving chopsticks), murders with broken bottles and cleavers and even a stationery spike, a guy gets burnt alive, and small children get chopped up,

…and of course a lot of meat gets put into buns and fed to “innocent cannibals” dining in the restaurant.

If that’s not your thing, you might want to skip this one, but it’s somehow mixed in (minced?) with a light-hearted humour, and there are great, over the top performances from Anthony Wong as the perp Wong Chi-hang and Danny Lee as Inspector Lee, the cop on his trail.

Inspector Lee is right – you can never really be sure what meat you are being served. The killing industry is a business, and always puts profits first. Find out what people want, then sell it to them. Even if it’s made out of them.

“I used the flesh to make what you guys loved to eat and didn’t pay for … HUMAN MEAT BUNS”

The full movie, when last checked, can be streamed on-line.

Or you could just watch the always entertaining review by Mike Bracken at THE HORROR GEEK.

You might also enjoy Herman Yau’s later film, Ebola Syndrome.

For a more recent case of murder (and maybe cannibalism) in Hong Kong, check out the killing of Abby Choi.

Would you like virus with that? EBOLA SYNDROME (伊波拉病毒) (Herman Yau, 1996)

Director Herman Yau has made a bit of a career from telling stories of “innocent cannibalism”, in which diners in restaurants unknowingly eat human flesh. His 1993 film The Untold Story was based on the “Eight Immortals Restaurant murders” of a family of ten, which took place in August 1985 in Macau. Portions of the bodies were never found, leading to speculation – yeah, you got it.

Following Gordon Gecko’s statement that “greed is good!” in Wall Street (1987), the 1990s saw a spate of films about entrepreneurs selling human flesh for fun and profit. Beside The Untold Story, Untold Story II and Ebola Syndrome from Hong Kong, we saw Delicatessen from France, Aranyak from India, The Deathmaker from Germany, Perdita Durango from Mexico, while the Americans contributed Ice Cream Man and Fried Green Tomatoes.

You see what I’m up against, trying to update you on all these masterpieces?

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This film gets even weirder, because there is also a pandemic involved – Ebola, the so-called “flesh-eating” disease. Ebola never really got the public going like COVID-19, maybe because it only affected people in places like the Congo and so did not keep the rest of us awake at night. Also, it spreads much more slowly but, if you do get it, you have a 50-90% chance of dying, and it isn’t “just” pneumonia – it is haemorrhagic, meaning that you can bleed out “through your wazoo”, as they say in Last Man on Earth.

“People with Ebola first have symptoms of influenza, but within 72 hours after infection, the virus will dissolve the internal organs”

Ah Kai (Anthony Wong) is an escaped criminal from Hong Kong who bolts to South Africa after killing his former boss, his boss’s wife and another employee. Here is an image showing Hong Kong industrial relations in action.

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In South Africa, he works at a Chinese restaurant and one day travels with his boss to a Zulu tribe that is infected with the Ebola virus [NOTE: there is no record of Ebola among the Zulu]. He comes across a woman dying of the disease, and decides to rape her – he’s that sort of guy.

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He is immune to the effects of the virus, so becomes a living carrier, spreading the disease to others through his bodily fluids. He kills his new boss and his boss’s wife and cousin (seems to be becoming a habit), but he has already given the virus to them, so when he cuts up their corpses and serves them as hamburgers in the restaurant, he spreads the virus all over South Africa.

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He heads back to Hong Kong with the boss’ cash and moves into a fancy hotel, where he proceeds to spreads the virus to the prostitutes he hires, and everyone else he encounters – dramatic music accompanying each new infection.

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Cannibalism as a carrier for pandemics seems apposite right now. Cannibalism and incest, Freud said, were the two great taboos of civilisation, but their prohibitions also define civilisation, so it is not unreasonable to expect at least one of them to pop up in a civilisation-wide disaster. COVID-19 hasn’t been spread by cannibalism yet, or incest (as far as we know) but this movie looks at more than just crime and disease as social disrupters. Ah Kai is aggressive and violent to anyone whom he believes bullies him, usually the rich people who take advantage of his fugitive status. In South Africa (not a place known for Ebola), he is subject to casual racism from the whites, including prostitutes who refuse him their services. The whites, he complains, treat him like a black, and the blacks treat him like a white. He and his victims are dehumanised, which is a precondition for cannibalism – humans are animalised, animals are objectified and become meat.

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Chinese restaurants, where he works, use a lot of pork, and several scenes problematise the close proximity of pigs to humans in the way they look and, according to some informants, the way they taste. The Ebola is caught at a Zulu camp where multiple people are dying from it; Kai and his boss are there because the racist white butcher is charging too much for pigs.

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When they go to pick up their purchases, Kai uncovers human bodies instead, before he finds the pig corpses.

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Is there really such a difference between corpses? More than 75% of emerging diseases originate in other animals. COVID-19 is said to have originated at a fish market, where close contact between humans and live animals in a small space made it easy for the virus to jump species. Other coronaviruses, such as severe acute respiratory syndrome (SARS) and Middle East respiratory syndrome (MERS), not to mention bird flu and swine flu, all spread due to the human appetite for flesh.

We used to assume that exotic diseases came from wilderness areas where they had been hosted in exotic animals, which then, like the dying Zulu, were used and abused by humans. But a lot of current research seems to indicate that it is actually our destruction of habitat and biodiversity that causes the spread of diseases like Ebola and COVID-19.

“We invade tropical forests and other wild landscapes, which harbor so many species of animals and plants — and within those creatures, so many unknown viruses. We cut the trees; we kill the animals or cage them and send them to markets. We disrupt ecosystems, and we shake viruses loose from their natural hosts. When that happens, they need a new host. Often, we are it.”

David Quammen in the New York Times January 28, 2020

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Really?

Dread Central summed up the movie:

“The horrid acting and paper thin story are forgivable only for the hilarity with which it’s presented.”

That’s a bit harsh! Chinese movies are not as a rule exemplars of subtlety, but Anthony Wong as the virus super-spreader gives it all he’s got, and a bit more too. It’s a rollicking yarn, and it asks some serious questions too. I was surprised to find I quite enjoyed it.

The full movie has been removed from YouTube, but you can still watch the always delightful review by THE HORROR GEEK, Mike Bracken.