Here’s a trivia question for the serious Hannibal aficionados: what is the name of
Will Graham’s son /step-son?
*Answer at the bottom of the blog.
Hannibal has been in a cell in the Asylum for the whole season, so not many people are getting eaten. Will is back in the game, desperately trying to catch the “Great Red Dragon”, who is certainly a biter, and a necrophile, but not so much a swallower of human flesh. But to understand why the GRD (Francis Dolarhyde) does what he does, and why Hannibal did what he used to do, we need to understand a bit about Hannibal’s Nietzschean understanding of the Übermensch (superman) and how, Will finally realises, he encourages his patients and acquaintances to “change” people as part of the development of the “higher self”.
The asylum security is surprisingly lax, considering Alana Bloom is in charge, and she is deeply motivated by the fact that Hannibal has promised to kill her as soon as he can. Nonetheless, calls come in from what appears to be Hannibal’s lawyer’s office and are patched through to his cell, and so he can happily chat to the GRD and give him advice on life, love, and killing, or what you might call “eat, prey, love”.
Dolarhyde is worried about his new girlfriend, and what the Dragon (his higher self) will do to her.
Like, frinstance, Will. Hannibal tells him: “He has a family. Save yourself.”
There’s always a problem bringing a classic story into the present day. Imagine Henry V with machine guns. Clarice Starling with a cell phone (“just on my way down the basement stairs now. Send a coupla dozen agents over stat”). Dolarhyde, in the book and films, was choosing his victims on the super-8 family movies he developed at work. Probably read telegrams too. But this is a new century – how does he choose them in 2015?
Indeed. Dolarhyde is watching videos of Will’s wife and step-son, Molly and Walter – Reba, who is blind, asks if these are his nocturnal animals? Yes. Do you think they know they’re being filmed? No.
Will has a vague idea he’s being played, but is clueless to what is really happening. He says he is not fortune’s fool, he is Hannibal’s fool, and that is certainly true. “Fortune’s fool” is a phrase Shakespeare liked a lot. It’s used in Romeo and Juliet, King Lear and Timon of Athens. Will hasn’t got his head around Hannibal’s coaching system yet, despite some very broad hints. He has worked out that he ran into Dolarhyde last episode at the museum because Hannibal planned it that way. Now he wants Hannibal’s help to identify the next family that Dolarhyde will kill, but he’s still not getting those broad hints from Hannibal about who that family might be.
Still clueless, Will asks, “you’re willing to let them die?”
Now Molly (Nina Arianda), Will’s wife (sorry Hannigrammers, he got married when we weren’t looking) is not fortune’s fool, and she’s not Hannibal’s either. It’s almost like she was expecting the GRD to come looking. She bundles her son out of the window, distracts Dolarhyde with the car alarm, flags down a passing car (in the middle of nowhere, mind you) and drives off as the Dragon shoots the driver. When Will visits her in hospital, she jokes about getting angry. She may be the best adjusted person in the whole series.
Anyway, Jack and Alana are woke to Hannibal’s little game now.
Mads Mikkelsen plays Hannibal as Satan, and Jack wants him to be the Devil’s advocate. They want Hannibal to talk to the GRD, keep him on the phone while they run a trace. What he says to Dolarhyde, though, is a direct line into Lecter/Nietzschean philosophy.
“You are the Dragon, you don’t have to be afraid. You know who speaks. From the beginning, you and the Dragon had been one. You are Becoming. And the Dragon is your higher self. Don’t let fear leach your strength. You are almost blind to your own true feelings. No more able to express them than a scar can blush.”
Dolarhyde is still worrying about Reba and his unlikely ability to be loved. “She called me a man! A sweet man!”
Hannibal talks just long enough for them to get a trace, but not to catch him, as he then warns Dolarhyde, just as he warned Garrett Jacob Hobbs in the very first episode of season one.
Will was already a bit upset at Hannibal…
But now, he’s back, and mad as a murder hornet!
This just gives Hannibal an opening for more philosophy.
“The essence of the worst in the human spirit is not found in the crazy sons of bitches. Ugliness is found in the faces of the crowd.”
The Dragon, Hannibal muses, “likely thinks you are as much a monster as you think he is.” Hannibal of course realises the “nice” Dolarhyde is trying to overcome the Red Dragon side of his personality, and Hannibal of course knows Goethe’s Faust off by heart:
“Two souls, alas, are dwelling in my breast, and one is striving to forsake its brother.”
The episode finishes with Hannibal offering Will friendship, absolution, the chance to start again.
“The Great Red Dragon is freedom to him. Shedding his skin. The sound of his voice. His own reflection. The building of a new body and the othering of himself, the splitting of his personality, all seem active and deliberate. He craves change.”
Will finally gets it: “He didn’t murder those families.”
* Will’s son/stepson? It’s a trick question – the little boy’s name keeps changing.
- In the book Red Dragon, he’s Willy.
- In the movie Manhunter, he’s Kevin.
- In the film Red Dragon, he’s Josh.
- In the TV series, he’s now Wally (Walter).
WTF? Almost a full circle.
Even the hockey mask has made a comeback.
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