Six dead(ish) serial killers: THE BUTCHERS (Steven Judd, 2014)

If you could somehow bring a dead serial killer back to life, let me ask you this:

  1. What question would you ask him?
  2. Why the hell would you bring him back to life??

This movie was called The Butchers in some markets and Death Factory in others, but didn’t exactly set the world alight in either case. The “plot” (sic and sick) concerns a bunch of misfits reciting a spell that returns to life some of the more notorious recent serial killers, who are featured in a bizarre museum called The Death Factory: Albert Fish, John Wayne Gacy, Jack the Ripper, Jeffrey Dahmer, Ed Gein, and the Zodiac Killer. Wait – that doesn’t make sense? Well, enjoy the ride.

 Before the ride, though, a flashback – Simon (Damien Puckler – Grimm) is having a nightmare about when he was a little boy and killed his father with a golf club. First we get to sit through the father killing a neighbour and Simon’s mother, in grisly detail. Yeah, Simon has serious issues. So did I after watching a woman have her teeth knocked out.

He’s on a bus with his brother (who reads Dante’s Inferno, as you do) and a bunch of misfits representing various stereotypes of America, heading for the Grand Canyon, but the bus breaks down and so they hoof it the Death Factory.

Meanwhile, a lawyer from Africa comes to visit the Factory, gets a guided tour of the killers (for the sake of the audience rather than him I rather think) and sees the vials of blood collected from them (how the hell did they get blood from Jack the Ripper?) and then kills the owner.

He has a big antique book, which we just know is going to be full of magic spells. The Goth couple from the bus find it and recite the spell of resurrection (you know, just for fun), and all hell breaks loose. No, really, it’s all a Satanic plot. Say the words, and the drops of blood form columns of fire and the dead butchers are resurrected.

But keep your disbelief suspended – it gets worse. When they get killed, they return to dust and smoke and enter the one who killed them. Confused? So were the writers I fear.

Of course, no slasher film is complete without the impending victims arriving from a broken-down vehicle at a sinister and run-down gas station / diner.

But the interest in this script is not so much in the bus passengers but the six born again killers who stalk them. From the point of view of a cannibalism blog, we only really care about four of them (the cannibals) and there are some real plot problems here. For a start, Albert Fish was ostensibly a harmless old man, unless you were a young child (he used to kidnap children, flog them, murder them and eat them), but he was clearly not up to a fist fight, unless you were under eight years old. Here is the movie Fish, and the real one. Not a bad likeness, but a scary monster?

Jack the Ripper was never identified (nor was Zodiac come to that) so this one wears an old person mask and talks with an English accent. But we have a revelation when Jack takes off the mask! Yes, Jack the Ripper turns out to be a lesbian, who finds out what little girls are made of (with the help of a cut-throat razor). Well, glad they sorted out that mystery anyway. Any clues on who killed JFK while you’re there?

Ed Gein was technically not even a serial killer since he only killed a couple of people, preferring to source his body parts from gravesites, and he was also pretty decrepit, an unlikely partner for hand-to-hand combat. Not even trying for a likeness here – just a scary Fred Flinstone.

That leaves Jeffrey Dahmer who was certainly a serial killer, but his M.O. was to drug his victims then drill holes in their heads when they were unconscious, hoping thereby to keep them around as zombie boyfriends. So, Dahmer was a lover, not a fighter.

Dahmer does, however, have the best line in the movie; after biting one dude:

“33% of Caucasians are A positive… I prefer A negative.”

Another great line is when Simon and the bible thumping lady find a series of pentagrams and vials of serial killer blood (curiouser and curiouser). She has some expertise here, which turns out to be as useless as it sounds:

“I wrote a paper on the psychological dysfunction of fanatical religious behaviour. At Emory.”

But most of the dialog consists of people saying to other people “stay here, I’ll go check it out.” You just know that’s not going to end well. Several times (yawn).

This is a pretty awful movie, garnering a handsome 12% on Rotten Tomatoes. If you like gore, that is well done and you might enjoy it, if you can get past all the metaphysical nonsense of pentagrams and life force transfers. If, however, you are a student of cannibalism, you will be mystified by their portrayals of these murderers. Have these people never heard of Wikipedia?

More importantly, how did they decide on these six as the world’s worst serial killers, and why were four of them (67%) best known for their cannibalistic behaviour? Our fear of death is notorious – watch a group of people flee from a loud noise like a flock of pigeons. The primal part of our brain, like that of the pigeon, takes over when survival seems to be at issue. Cultural anthropologist Ernest Becker argued that our terror of death is the basic motivation of human behaviour.

But the enormous interest in cannibalism indicates that there is something even more terrifying than dying: being eaten. Dramatic headlines announce the victim of the latest shark or crocodile attack, while meanwhile hundreds die unremarked, in more mundane incidents taking place all around them. We build mausoleums or place immense marble slabs over our graves to keep out marauders, we pour chemicals into the veins of our corpses to preserve them from worms and bacteria. The worst terror, though, is incorporation into the body of another human. Theologians write learned pieces on God’s options for restoring the body on the day of judgement; if we have been absorbed into another body, to whom would the restored flesh belong? Ed Gein is included in the canon of cannibals not for the numbers he killed but because he used the body parts to make furniture and lampshades.

Cannibalism feeds our darkest fears – that we are not made in the image of God (however that is interpreted) but that we are edible animals, no different to the millions of other animals we slaughter every day: for their flesh like Dahmer and Fish, for their skins and bones like Gein, or just to see what’s inside, like Jack.

“…crazy sons of bitches” – HANNIBAL 3.11 “…And the Beast from the Sea”

Here’s a trivia question for the serious Hannibal aficionados: what is the name of
Will Graham’s son /step-son?
*Answer at the bottom of the blog.

Hannibal has been in a cell in the Asylum for the whole season, so not many people are getting eaten. Will is back in the game, desperately trying to catch the “Great Red Dragon”, who is certainly a biter, and a necrophile, but not so much a swallower of human flesh. But to understand why the GRD (Francis Dolarhyde) does what he does, and why Hannibal did what he used to do, we need to understand a bit about Hannibal’s Nietzschean understanding of the Übermensch (superman) and how, Will finally realises, he encourages his patients and acquaintances to “change” people as part of the development of the “higher self”.

The asylum security is surprisingly lax, considering Alana Bloom is in charge, and she is deeply motivated by the fact that Hannibal has promised to kill her as soon as he can. Nonetheless, calls come in from what appears to be Hannibal’s lawyer’s office and are patched through to his cell, and so he can happily chat to the GRD and give him advice on life, love, and killing, or what you might call “eat, prey, love”.

Dolarhyde is worried about his new girlfriend, and what the Dragon (his higher self) will do to her.

vlcsnap-00006

Like, frinstance, Will. Hannibal tells him: “He has a family. Save yourself.”

vlcsnap-00010

There’s always a problem bringing a classic story into the present day. Imagine Henry V with machine guns. Clarice Starling with a cell phone (“just on my way down the basement stairs now. Send a coupla dozen agents over stat”). Dolarhyde, in the book and films, was choosing his victims on the super-8 family movies he developed at work. Probably read telegrams too. But this is a new century – how does he choose them in 2015?

Indeed. Dolarhyde is watching videos of Will’s wife and step-son, Molly and Walter – Reba, who is blind, asks if these are his nocturnal animals? Yes. Do you think they know they’re being filmed? No.

vlcsnap-00011

Will has a vague idea he’s being played, but is clueless to what is really happening. He says he is not fortune’s fool, he is Hannibal’s fool, and that is certainly true. “Fortune’s fool” is a phrase Shakespeare liked a lot. It’s used in Romeo and Juliet, King Lear and Timon of Athens. Will hasn’t got his head around Hannibal’s coaching system yet, despite some very broad hints. He has worked out that he ran into Dolarhyde last episode at the museum because Hannibal planned it that way. Now he wants Hannibal’s help to identify the next family that Dolarhyde will kill, but he’s still not getting those broad hints from Hannibal about who that family might be.

vlcsnap-00015

Still clueless, Will asks, “you’re willing to let them die?”

vlcsnap-00019

vlcsnap-00020

Now Molly (Nina Arianda), Will’s wife (sorry Hannigrammers, he got married when we weren’t looking) is not fortune’s fool, and she’s not Hannibal’s either. It’s almost like she was expecting the GRD to come looking. She bundles her son out of the window, distracts Dolarhyde with the car alarm, flags down a passing car (in the middle of nowhere, mind you) and drives off as the Dragon shoots the driver. When Will visits her in hospital, she jokes about getting angry. She may be the best adjusted person in the whole series.

Anyway, Jack and Alana are woke to Hannibal’s little game now.

vlcsnap-00027

vlcsnap-00028

Mads Mikkelsen plays Hannibal as Satan, and Jack wants him to be the Devil’s advocate. They want Hannibal to talk to the GRD, keep him on the phone while they run a trace. What he says to Dolarhyde, though, is a direct line into Lecter/Nietzschean philosophy.

“You are the Dragon, you don’t have to be afraid. You know who speaks. From the beginning, you and the Dragon had been one. You are Becoming. And the Dragon is your higher self. Don’t let fear leach your strength. You are almost blind to your own true feelings. No more able to express them than a scar can blush.”

Dolarhyde is still worrying about Reba and his unlikely ability to be loved. “She called me a man! A sweet man!”

Hannibal talks just long enough for them to get a trace, but not to catch him, as he then warns Dolarhyde, just as he warned Garrett Jacob Hobbs in the very first episode of season one.

vlcsnap-00038

Will was already a bit upset at Hannibal…

Wonderful cartoon by “Nat Draws Stuff

But now, he’s back, and mad as a murder hornet!

vlcsnap-00045

This just gives Hannibal an opening for more philosophy.

“The essence of the worst in the human spirit is not found in the crazy sons of bitches. Ugliness is found in the faces of the crowd.”

The Dragon, Hannibal muses, “likely thinks you are as much a monster as you think he is.” Hannibal of course realises the “nice” Dolarhyde is trying to overcome the Red Dragon side of his personality, and Hannibal of course knows Goethe’s Faust off by heart:

“Two souls, alas, are dwelling in my breast, and one is striving to forsake its brother.”

The episode finishes with Hannibal offering Will friendship, absolution, the chance to start again.

“The Great Red Dragon is freedom to him. Shedding his skin. The sound of his voice. His own reflection. The building of a new body and the othering of himself, the splitting of his personality, all seem active and deliberate. He craves change.”

Will finally gets it: “He didn’t murder those families.”

vlcsnap-00065

vlcsnap-00066

 

* Will’s son/stepson? It’s a trick question – the little boy’s name keeps changing.

  • In the book Red Dragon, he’s Willy.
  • In the movie Manhunter, he’s Kevin.
  • In the film Red Dragon, he’s Josh.
  • In the TV series, he’s now Wally (Walter).

WTF? Almost a full circle.

Even the hockey mask has made a comeback.

vlcsnap-00042

Only two more episodes to go before the finale. Where, oh where, is Season 4?

#savehannibal

Remembrance of Things Past: HANNIBAL Season 3 Episode 4: “Aperitivo”.

There was a “Hannibal” in Proust: Comte Hannibal de Bréauté-Consalvi in The Guermantes Way. Now there is some Proust in Hannibal – everything in this episode is à la recherche du temps perdu – “Remembrance of Things Past” or, more accurately, “In Search of Lost Time”.

Hannibal, let’s be clear, gets into people’s heads (including those of his loyal Fannibals). That of course is his job as a psychiatrist, but he takes it well beyond work hours, getting into the heads of everyone with whom he deals, including Miriam Lass, who was his captive for a long time, and shot Frederick Chilton, because Hannibal was in her head.

vlcsnap-00012.jpg

It’s episode 4, and we are finally finding out what happened to all the people knifed, shot and pushed out of windows (or made to eat their own faces) in the previous season. Those still alive have it in for him, are hunting him in their own ways. Mason Verger, whose fortune is based on breeding and killing pigs, wants to catch Hannibal and feed him to those pigs. He has offered a reward of one million dollars for his capture. Chilton, less one eye and half his teeth from Miriam’s bullet, just says “Happy hunting!” Verger’s words about Hannibal are taken from the Bible, the Book of Job, where Satan tells God he has been “going to and fro on the earth, and from walking back and forth on it”. He is relating Hannibal to a supernatural being: Satan. But also to an edible being: a pig. This can’t end well.

vlcsnap-00021.jpg

We know Will was cut up good in his last dance with Hannibal, but we get a new perspective in the next scene after the credits – we are inside Will’s body cavity, in the coil of guts, looking at the stomach skin as it is punctured by Hannibal’s linoleum knife. Waking up in the hospital, he is visited not by Abigail, as he had hoped and imagined in episode 2, but Chilton, who wants help catching Hannibal, who would be a prize specimen for his “hospital” for the criminally insane.

Will spurns Chilton’s offer of compassion and friendship, which leads to one of Chilton’s best lines of the show:

The optimist believes we live in the best of all possible worlds;

vlcsnap-00024.jpg

Will is still imagining scenarios – in the next scene, he and Hannibal are plunging knives into Jack Crawford in a scene that could only have been inspired by Julius Caesar.

Et Tu Brute.JPG

vlcsnap-00025.jpg

But Will finally didn’t go with Hannibal, and Jack’s not dead – he’s tracking to Will’s boatshed to seek Will’s help, just as he did at the beginning of Red Dragon, where the whole saga started. Will admits that he warned Hannibal, wanted him to run, because “he was my friend”,

vlcsnap-00029.jpg

Alana is still alive too, despite being pushed out of a first storey window. She wakes up full of rods that hold her together. The doctors have told her that a lot of marrow got into her bloodstream from her multiple broken bones, so she should expect to think differently. And she does.

vlcsnap-00031.jpg

She goes to see Mason Verger, who tells her he has found religion, been saved by the risen Jesus or, as he familiarly calls him “the Riz”. As a believer, he says he has forgiven Hannibal. Alana is not so convinced.

vlcsnap-00043.jpg

Jack remembers his apparent death at Hannibal’s hands, but has somehow recovered. His health, not his career – he has been forced to retire from the FBI. The culture has found a new nightmare to slap its clammy flab and ruin its sleep.

vlcsnap-00044.jpg

He also remembers waking up in hospital, lying next to Bella, his wife, who is continuing to die without him as it turns out. He takes her home, sits with her, holds her while her heart stops and her brain dies. He dresses for church and visualises their wedding, but it’s a funeral, she is in a casket, and there is a splendid bouquet from – who else – Hannibal. The card contains a John Donne poem and finishes “I’m so sorry about Bella, Jack”. Fighting to the death does not, apparently, reduce the respect or affection Hannibal feels for his opponents.

Everyone, everyone alive that is, wants to find Hannibal, and most of them want to kill him. What does Will want, as he embarks on a sustainable sailing voyage to Europe to find Hannibal? We don’t know. Mason Verger is talking transubstantiation – his face has been (somewhat) restored by extensive surgery, now he wants to transubstantiate Hannibal. In most ceremonies

vlcsnap-00052.jpg

He is planning a more elaborate ceremony. He tells his major-domo nurse Cordell

vlcsnap-00055.jpg

Alana is helping, telling Verger that Hannibal will be traceable because, wherever he goes, he will be ordering the very best wine, truffles, etc. She tells him “You’re preparing the theatre of Hannibal’s death. I’m just doing my part to get him to the stage.”

It sounds like they are all conspiring against poor Hannibal. But remember what Alana told Jack when they thought they were outsmarting him – Hannibal is always in charge of the narrative. Whatever the others are doing, he wants them to be doing. Or as Bedelia said, he is drawing them to him. Nietzsche wrote:

“In your friend, you should possess your best enemy. Your heart should feel closest to him when you oppose him.”

While everyone else is remembering things past, or searching for lost time, Hannibal is making friends.