Skin in the Game: PETA’s URBAN OUTRAGED campaign, 2021

https://www.urbanoutraged.com/

This website purports to sell leather goods: shoes, belts, coats, etc., all made from human body parts. And like many websites in this competitive time, they offer free shipping!

The campaign is from PETA (People for the Ethical Treatment of Animals) and started back in June with a poster from celebrity photographer Mike Ruiz, who has photographed Kim Kardashian, Ricky Martin, Katy Perry, and Paris Hilton, as well as being a judge at America’s Next Top Model and RuPaul’s Drag Race.

PETA’s press release stated that leather production isn’t just cruel, but also contributes to the climate crisis, releasing hazardous chemicals. The World Bank has also cited cattle ranching as one of the largest drivers of deforestation in the Brazilian Amazon. Farming, transporting and killing animals for meat and leather is responsible for a very large proportion of global greenhouse emissions.

Here’s the poster near Penn Station in New York.

On the Urban Outraged website, the items for “sale” reveal human faces, human teeth, and oozing blood. Each item is named after an individual who was “killed” for it and is “reviewed” by customers. (“I’m not really a boot person, but I’m glad Meg was, because these are the best boots I’ve ever worn.”). Users can even send a fake “gift card” to their friends’ emails using the form on the last page.

After the initial page, the website gets deadly serious and asks:

Why is it OK to raise sheep just to shear off their wool?
Why is it OK to kill a cow for leather?
Why aren’t you horrified by what’s already in your closet?

“While Urban Outfitters, Anthropologie, and Free People (all owned by Urban Outfitters, Inc.) don’t actually kidnap, abuse, or kill humans or other animals for their products, they do sell skin and other animal-derived materials from farms and suppliers that exploit and kill animals.
Every year, billions of animals suffer and die for wool, cashmere, leather, down, mohair, silk, and alpaca fleece production. Sheep are often beaten, stomped on, and kicked in the wool industry. Goats exploited for cashmere scream out in pain and terror as workers tear out their hair with sharp metal combs. Later, their throats are slit in slaughterhouses and they’re left to die in agony. And cows are routinely beaten and electroshocked for leather at some of the largest suppliers

Many cannibal films featured in thecannibalguy depict not just the consumption of human flesh but the use of other body parts, particularly skin. Think of Leatherface in The Texas Chainsaw Massacre, wearing a mask made of human skin. Or Jame Gumb, “Buffalo Bill” from The Silence of the Lambs, making a woman suit because he is frustrated at being diagnosed as not a true transsexual. Both characters, as well as Norman Bates from Psycho, were based on the real-life “Butcher of Plainfield” Ed Gein, who did kill a couple of women but mostly sourced his body parts from gravesites, and produced a bewildering array of  chairs, waste-baskets, bedposts, bowls, corsets, masks, belts and lampshades from human skin and bones.

The use of human skin, including for binding books, is known as anthropodermic bibliopegy. Human skin used as a medium goes back into prehistory, and was reportedly popular among the Assyrians, who would flay their prisoners alive and display their hides. Perhaps the best known modern examples were the lampshades of Nazi concentration camp guards, but it was also not uncommon among slave owners, who felt that, since they owned the slave, they could use his or her body as they wished.

People have expressed shock and outrage at PETA’s new website, but that really was the point. Such atrocities against humans were carried out by people who saw nothing particularly wrong with what they were doing. The workers who skin cows and sheep, minks, snakes and crocodiles, dogs and cats and so many other animals are just, they say, doing their job. But that acceptance of appalling suffering for the sake of meat or clothing brings us closer to the possibility of adding one more species to the list of edible, flayable animals.

Six dead(ish) serial killers: THE BUTCHERS (Steven Judd, 2014)

If you could somehow bring a dead serial killer back to life, let me ask you this:

  1. What question would you ask him?
  2. Why the hell would you bring him back to life??

This movie was called The Butchers in some markets and Death Factory in others, but didn’t exactly set the world alight in either case. The “plot” (sic and sick) concerns a bunch of misfits reciting a spell that returns to life some of the more notorious recent serial killers, who are featured in a bizarre museum called The Death Factory: Albert Fish, John Wayne Gacy, Jack the Ripper, Jeffrey Dahmer, Ed Gein, and the Zodiac Killer. Wait – that doesn’t make sense? Well, enjoy the ride.

 Before the ride, though, a flashback – Simon (Damien Puckler – Grimm) is having a nightmare about when he was a little boy and killed his father with a golf club. First we get to sit through the father killing a neighbour and Simon’s mother, in grisly detail. Yeah, Simon has serious issues. So did I after watching a woman have her teeth knocked out.

He’s on a bus with his brother (who reads Dante’s Inferno, as you do) and a bunch of misfits representing various stereotypes of America, heading for the Grand Canyon, but the bus breaks down and so they hoof it the Death Factory.

Meanwhile, a lawyer from Africa comes to visit the Factory, gets a guided tour of the killers (for the sake of the audience rather than him I rather think) and sees the vials of blood collected from them (how the hell did they get blood from Jack the Ripper?) and then kills the owner.

He has a big antique book, which we just know is going to be full of magic spells. The Goth couple from the bus find it and recite the spell of resurrection (you know, just for fun), and all hell breaks loose. No, really, it’s all a Satanic plot. Say the words, and the drops of blood form columns of fire and the dead butchers are resurrected.

But keep your disbelief suspended – it gets worse. When they get killed, they return to dust and smoke and enter the one who killed them. Confused? So were the writers I fear.

Of course, no slasher film is complete without the impending victims arriving from a broken-down vehicle at a sinister and run-down gas station / diner.

But the interest in this script is not so much in the bus passengers but the six born again killers who stalk them. From the point of view of a cannibalism blog, we only really care about four of them (the cannibals) and there are some real plot problems here. For a start, Albert Fish was ostensibly a harmless old man, unless you were a young child (he used to kidnap children, flog them, murder them and eat them), but he was clearly not up to a fist fight, unless you were under eight years old. Here is the movie Fish, and the real one. Not a bad likeness, but a scary monster?

Jack the Ripper was never identified (nor was Zodiac come to that) so this one wears an old person mask and talks with an English accent. But we have a revelation when Jack takes off the mask! Yes, Jack the Ripper turns out to be a lesbian, who finds out what little girls are made of (with the help of a cut-throat razor). Well, glad they sorted out that mystery anyway. Any clues on who killed JFK while you’re there?

Ed Gein was technically not even a serial killer since he only killed a couple of people, preferring to source his body parts from gravesites, and he was also pretty decrepit, an unlikely partner for hand-to-hand combat. Not even trying for a likeness here – just a scary Fred Flinstone.

That leaves Jeffrey Dahmer who was certainly a serial killer, but his M.O. was to drug his victims then drill holes in their heads when they were unconscious, hoping thereby to keep them around as zombie boyfriends. So, Dahmer was a lover, not a fighter.

Dahmer does, however, have the best line in the movie; after biting one dude:

“33% of Caucasians are A positive… I prefer A negative.”

Another great line is when Simon and the bible thumping lady find a series of pentagrams and vials of serial killer blood (curiouser and curiouser). She has some expertise here, which turns out to be as useless as it sounds:

“I wrote a paper on the psychological dysfunction of fanatical religious behaviour. At Emory.”

But most of the dialog consists of people saying to other people “stay here, I’ll go check it out.” You just know that’s not going to end well. Several times (yawn).

This is a pretty awful movie, garnering a handsome 12% on Rotten Tomatoes. If you like gore, that is well done and you might enjoy it, if you can get past all the metaphysical nonsense of pentagrams and life force transfers. If, however, you are a student of cannibalism, you will be mystified by their portrayals of these murderers. Have these people never heard of Wikipedia?

More importantly, how did they decide on these six as the world’s worst serial killers, and why were four of them (67%) best known for their cannibalistic behaviour? Our fear of death is notorious – watch a group of people flee from a loud noise like a flock of pigeons. The primal part of our brain, like that of the pigeon, takes over when survival seems to be at issue. Cultural anthropologist Ernest Becker argued that our terror of death is the basic motivation of human behaviour.

But the enormous interest in cannibalism indicates that there is something even more terrifying than dying: being eaten. Dramatic headlines announce the victim of the latest shark or crocodile attack, while meanwhile hundreds die unremarked, in more mundane incidents taking place all around them. We build mausoleums or place immense marble slabs over our graves to keep out marauders, we pour chemicals into the veins of our corpses to preserve them from worms and bacteria. The worst terror, though, is incorporation into the body of another human. Theologians write learned pieces on God’s options for restoring the body on the day of judgement; if we have been absorbed into another body, to whom would the restored flesh belong? Ed Gein is included in the canon of cannibals not for the numbers he killed but because he used the body parts to make furniture and lampshades.

Cannibalism feeds our darkest fears – that we are not made in the image of God (however that is interpreted) but that we are edible animals, no different to the millions of other animals we slaughter every day: for their flesh like Dahmer and Fish, for their skins and bones like Gein, or just to see what’s inside, like Jack.