Cannibals and Cops: “EATER” (Fear Itself S1E5, 2008)

“Eater” is the fifth episode of season one of the TV horror series Fear Itself, an American horror/suspense anthology television series shot in Canada. This episode, “Eater”, aired on NBC on Thursday, July 3rd, 2008. A later episode featured a Wendigo, and was reviewed last year.

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Officer Danny Bannerman (Elisabeth Moss from Mad Men, Handmaid’s Tale and Invisible Man) is a rookie cop assigned to watch a new prisoner in the Chesterton police holding cell.

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The prisoner, Duane Mellor (Stephen R. Hart), is an “eater” who has murdered 32 people in five different states, killing the men outright but torturing the women before finally killing and eating them, not necessarily in that order.

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In his wardrobe, they found garments made from the skins of his victims. “Just like Hannibal Lecter” says slob cop Marty (Stephen Lee), but Bannerman (her name is straight out of several Stephen King stories) puts them straight – it was Buffalo Bill of course. Hannibal just liked the flesh. As a keen fan of horror, she asks to see the arrest report.

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The Sergeant (Russell Hornsby) warns her: “Hannibal the Cannibal is make believe. This guy isn’t.” Except he is, and rather derivative too – he deconstructs the binary of gustatory (Hannibal) and sartorial (Bill) cannibalism. How postmodern can you get?

Mellor, it turns out, is Cajun, so of course there’s going to be voodoo. He starts chanting in his cell, the lights flicker, and Marty gives her a lecture on Cajun culture and cannibal theory:

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“Down on the Bayou, the Cajun, they use every part of their kill. They’ll take a big, ol’, fat ‘gator, they’ll eat all the flesh, they’ll take the hide, use it for shelter, for clothing, they’ll take the bones, use them for utensils, weapons. I think Mellor’s doing the exact same thing, just doing it with human beings, that’s all… Waste not, want not.”

They discuss the key questions of cannibal studies: why does he do it? “Sexual turn-on” suggests Bannerman, making Marty go all sweaty and silent. Until he sneaks up behind her as she tries to ask the killer about such things, and asks “have you ever wondered what it tastes like… human flesh?”

She replies “just like any other meat I guess”.

“No. I think it’s the power that gets them off… There’s an old voodoo saying that if you cut a man’s heart out and eat it before it stops beating, not only do you gain his strength, but you gain his spirit”.

Marty goes off to investigate a strange noise, Bannerman fetches the keys to the cell (which oddly I found the most disturbing part of the show) and goes to open the cell, and finds the cell unlocked, but the other cop, Mattingly (Pablo Schreiber from The Wire) tells the scared rookie “Stop being such a… woman”. Yes, fear is a female thing, apparently, or at least admitting to it. But shape-shifting – that’s a guy thing, in voodoo at least, and all the men are really Mellor. Maybe all men are eaters?

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The story is tight and taut, and the cast is superb. Elisabeth Moss, like Jodi Foster in Silence of the Lambs, is young and small enough for her vulnerability to engage our sympathy, but also smart, tough, resourceful and brave. Since being kidnapped in West Wing, Moss seems to have making a career in TV and movies where women take on vicious, violent men. This one is as vicious and violent as most of her Gilead mates. Scott Tobias of AV Club said: “If there’s ever been a gorier, nastier hour of network television, then I certainly can’t recall it”.

Now there’s a recommendation.

Director of this episode, Stuart Gordon, also did play about Armin Meiwes, the Rotenburg Cannibal, on the LA stage.

Eater is available (in four parts for some reason) on Youtube.

A complete listing of my Hannibal blogs can be accessed here.

“The fans never went away” – HANNIBAL: A DELICIOUS REUNION

Nerdist’s Rosie Knight hosted the much-awaited (ZOOM) reunion of the cast and crew of Hannibal (the link is above – starts at about 4½ minutes in), featuring series creator Bryan Fuller, Mads Mikkelsen (Hannibal Lecter), Hugh Dancy (Will Graham), Gillian Anderson (Bedelia Du Maurier), Caroline Dhavernas (Alana Bloom), Katie Isabelle (Margot Verger), Raúl Esparza (Frederick Chilton), Hettiene Park (Beverly Katz), Kacey Rohl (Abigail Hobbs), Scott Thompson (Jimmy Price), Aaron Abrams (Brian Zeller), executive producer Martha De Laurentiis, co-producer Loretta Ramos, director/executive producer David Slade, and food consultant Janice Poon.

I intended to dip in and out looking for highlights, but of course ended up watching the whole fascinating one hour three minutes of it. Certainly, it is worth watching the whole thing, but (from a cannibal studies POV) don’t miss the Q&A  in the last 15 minutes, when Fannibal @hannigram_trash asks

“How do you think Hannigram / Hannibal and Will would have spent their quarantine time? And it must have been a very hard time for cannibals, because – no hunting?

Hugh Dancy (Will) replies:

“It’s easy, isn’t it? You know where everybody is – they’re at home. Baking! The oven is already on!”

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Then of course come the torrent of questions – will there be romance between Hannibal and Will in Season 4? @Bryanfuller says:

“From our very first meeting with Mads, he redefined the character immediately for me because he’s the devil. He is this thing both of the world and outside of the world. So for me, the devil is pansexual.”

So really, if/when Season 4 starts – anything could happen. And probably will. But give the devil his due. In Christian texts, Satan is usually a fallen angel, the enemy of heaven, intent on snaring humans into sin and taking their souls. By the time of Revelations, he is called The Great Red Dragon, the name used by the serial killer who dominates Season 3. As a New Testament Satan, the Great Red Dragon is obviously interested in absorbing the Old Testament Satan, represented by Hannibal.

The Old Testament Satan appears very sparsely, and is subservient to God. He is probably the serpent who tempts Eve (Alana? Will?), and he appears under the name Satan (הַשָּׂטָן – the accuser) in the Book of Job. What is an “accuser”? Basically, he is God’s district attorney, looking for evidence against humanity, and not usually having too much trouble finding it. Like Hannibal, and later Will, he sets up obstacles or temptations for everyone he meets, and is curious to see what will happen. In the apocryphal Book of Jubilees, God grants the satan (referred to as Mastema) authority over a group of fallen angels, or their offspring, to tempt humans to sin. Isn’t that the story of Hannibal and his patients, who he assiduously tries to convert to his ways? Consider his words in Ko No Mono:

“I have not been bothered by any considerations of deity, other than to recognise how my own modest actions pale beside those of god…. God is beyond measure in wanton malice. And matchless in his irony.”


The final question of the reunion, the one we are all waiting for, was: will we get a Season 4 of Hannibal? Bryan Fuller replied

I am very hopeful.

So are we, Bryan. So are we.

Hugh Dancy adds that, after five years on the lam,

It’ll be like “Grumpy Old Men”, with cannibalism.

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  • A complete listing of my Hannibal blogs can be accessed here.

Communists and cannibals: MR JONES (Agnieszka Holland, 2019)

In 1932, Joseph Stalin engineered a famine in The Ukraine, which killed millions of people. Historians still argue whether the famine, called in Ukrainian the Holodomor (Голодомор) or “death by hunger”, was a deliberate act of genocide, a way to counter the independence movement, or a part of the Soviet collectivisation strategy. Probably all of the above. The peasants were forced to give all their grain, including seed for the following year, to gangs from Stalin’s Komsomol youth groups. In 1928, the USSR was exporting 100,000 metric tons of grain; by 1931 it was over 5,000,000 metric tons. There was literally nothing left for the peasants to eat, and one commentator has written that cannibalism was more widespread at this time and place than anywhere else in history. More than 2,500 people were convicted of cannibalism and sentenced to ten years in the Gulag or execution, but this must have been just the tip of the iceberg.

Into this maelstrom comes a mild-mannered reporter named Gareth Jones (James Norton), who had gained some international recognition by interviewing Adolf Hitler soon after he took power in Germany. Jones wants to interview Joseph Stalin as well, to ask about the enormous sums of money the Soviets are spending on modernisation, in the middle of the Depression – where’s the money coming from?

Jones speaks Russian: his mother had worked in Hughesovka, renamed Stalino, now called Donetsk. He rings his friend, the journalist who got him the Hitler gig and is now in Moscow. The friend tells him he is  is working on a huge story. The friend is soon found dead, and Jones discovers the story was : The Ukraine.

Jones escapes his minders and travels to The Ukraine to see for himself the horrors unfolding there.

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He is made to carry sacks of grain that are being shipped out, past the starving locals.

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He is almost shot as a spy, kids sing him a sweet song about being cold and hungry, then steal his food.

 

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“Nothing to eat, nowhere to sleep.

And our neighbour has lost his mind, and eaten his children.”

Like the peasants, Jones eats bark from the trees. He finds a barn that was in a picture his mother gave him, meets three young children there and helps them carry firewood home. They make him a meal, with real meat.

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Who is Kolya? Kolya is their brother. Jones asks if Kolya is a hunter. They just look at him. Where is Kolya?

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Yes, Kolya is involuntarily providing for his family. Jones, who has walked past corpses in the streets and taken photos of starving children, is now violently ill at the thought he has partaken of Kolya. Go figure. Incidentally, Jones’ relatives have attacked the film’s depiction, saying that he did not witness or take part in cannibalism.

Jones returns home and tells his story, but the Russians deny the existence of a famine, and are backed up by their apologists. Western intellectuals such as George Bernard Shaw and Upton Sinclair travelled to the Soviet Union, swallowed the propaganda, and returned home to praise Stalin and Soviet progress. One such convert is shown in the film: Walter Duranty (played by Peter Sarsgaard) who was the pulitzer prize-winning New York Times resident journalist. Duranty threw depraved parties in Moscow while writing that all was well in the workers’ paradise.

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Yes, Duranty actually said that, in the New York Times of March 31, 1933.

Others were less sanguine, and early reports of the famine had been written anonymously by Malcolm Muggeridge. The film starts with George Orwell (Joseph Mawle from Game of Thrones) penning his famous novel Animal Farm, in which he called the farmer, his chief antagonist, “Mr Jones”, perhaps in tribute to Gareth Jones. Orwell appears throughout the film, at first supporting Stalin, and later accepting Jones’ story and, disillusioned, writing Animal Farm.

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The Holodomor is a very important part of cannibal mythology. For example, Russian cannibal serial killer Andrei Chikatilo, the “Rostov Ripper“, was a small child during the Holodomor and his mother told him that cannibals had kidnapped and eaten his brother, and would do the same to him if he didn’t behave, a traumatic story that helped explain his slaughter and cannibalisation of at least 52 women and children between 1978 and 1990.

The film has a creditable 84% on Rotten Tomatoes. The Director, Poland’s Agnieszka Holland, was arrested by the Soviets, during the Prague Spring. She knows the way political leaders eat their own people. Whether Jones ate Kolya or not, he certainly witnessed one of the worst famines in history, deliberately engineered by the government. The starving ate anything they could find – grass, hay, bark from trees, corpses dug up from cemeteries, even their own children.

The question is: who were the monsters?

 

HANNIBAL: a complete listing of my Hannibal film and TV blogs

Movies

“Manhunter” (Mann, 1986)

https://thecannibalguy.com/2018/07/29/hannibal-the-cannibal/

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“The silence of the lambs” (Demme, 1991)

https://thecannibalguy.com/2018/03/04/1991-the-silence-of-the-lambs/

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“Hannibal” (Scott, 2001)

https://thecannibalguy.com/2019/03/17/hannibal-scott-2001/

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“Red Dragon” (Ratner, 2002)

https://thecannibalguy.com/2018/09/09/what-a-dragon-it-is-getting-old-red-dragon-ratner-2002/

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“Hannibal Rising” (Webber, 2007)

https://thecannibalguy.com/2019/09/22/hannibal-rising-2007/

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And a spoof, just for fun:

“The Silence of the Trumps” (Colbert Late Show, 2017)

https://thecannibalguy.com/2018/05/10/the-silence-of-the-trump/

Television

Season 1

  1. https://thecannibalguy.com/2018/10/07/very-hard-to-catch-hannibal-episode-1-aperitif-fuller-2013/
  2. https://thecannibalguy.com/2018/10/21/amusing-the-mouth-hannibal-season-1-episode-2-fuller-2013/
  3. https://thecannibalguy.com/2018/11/04/hiding-the-bodies-hannibal-season-1-episode-3-potage-fuller-2013/
  4. https://thecannibalguy.com/2018/11/11/happy-families-hannibal-season-1-episode-4-oeuf-fuller-2013/
  5. https://thecannibalguy.com/2018/11/25/inside-the-shell-hannibal-season-1-episode-5-coquilles-fuller-2013/
  6. https://thecannibalguy.com/2018/12/09/who-is-the-ripper-hannibal-season-1-episode-6-fuller-2013/
  7. https://thecannibalguy.com/2018/12/16/nothing-here-is-vegetarian-hannibal-season-1-episode-7-fuller-2013/
  8. https://thecannibalguy.com/2018/12/30/i-see-a-possibility-of-friendship-hannibal-season-1-episode-8-fuller-2013/
  9. https://thecannibalguy.com/2019/01/06/i-know-what-monsters-are-hannibal-season-1-episode-9-fuller-2013/
  10. https://thecannibalguy.com/2019/01/20/the-very-air-has-screams-hannibal-season-1-episode-10-fuller-2013/
  11. https://thecannibalguy.com/2019/01/27/madness-can-be-a-medicine-hannibal-season-1-episode-11-fuller-2013/
  12. https://thecannibalguy.com/2019/02/10/im-so-sorry-jack-releves-hannibal-season-1-episode-12-fuller-2013/
  13. https://thecannibalguy.com/2019/02/24/savoureux-hannibal-season-1-episode-13/

Season 2

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  1. https://thecannibalguy.com/2019/03/31/i-never-feel-guilty-kaiseki-hannibal-season-2-episode-1-fuller-2014/
  2. https://thecannibalguy.com/2019/04/07/you-are-dangerous-sakizuke-hannibal-season-2-episode-2-fuller-2014/
  3. https://thecannibalguy.com/2019/04/21/merely-the-ink-from-which-flows-my-poem-hannibal-season-2-episode-3-hassun-fuller-2014/
  4. https://thecannibalguy.com/2019/05/05/death-is-not-a-defeat-hannibal-season-2-episode-4-takiawase-fuller-2014/
  5. https://thecannibalguy.com/2019/05/19/he-is-the-devil-he-is-smoke-hannibal-season-2-episode-05-mukozuke-fuller-2014/
  6. https://thecannibalguy.com/2019/06/02/an-act-of-dominance-hannibal-season-2-episode-6-futamono-fuller-2014/
  7. https://thecannibalguy.com/2019/06/16/hannibal-season-2-episode-7-fuller-2014/
  8. https://thecannibalguy.com/2019/06/30/we-are-all-nietzschean-fish/
  9. https://thecannibalguy.com/2019/07/14/typhoid-and-swans/
  10. https://thecannibalguy.com/2019/07/28/hannibal-season-2-episode-10/
  11. https://thecannibalguy.com/2019/08/11/hannibal-season-2-episode-11/
  12. https://thecannibalguy.com/2019/08/25/hannibal-season-2-episode-12/
  13. https://thecannibalguy.com/2019/09/08/hannibal-season-2-finale/

Season 3

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  1. https://thecannibalguy.com/2019/10/13/the-eating-of-the-heart/
  2. https://thecannibalguy.com/2019/11/03/hannibal-season-3-episode-2/
  3. https://thecannibalguy.com/2019/11/24/how-did-your-sister-taste/
  4. https://thecannibalguy.com/2019/12/15/hannibal-season-3-episode-4/
  5. https://thecannibalguy.com/2020/01/05/in-the-belly-of-the-beast-hannibal-season-3-episode-5-contorno/
  6. https://thecannibalguy.com/2020/01/26/hannibal-season-3-episode-6/
  7. https://thecannibalguy.com/2020/02/16/hannibal-season-3-episode-7/
  8. https://thecannibalguy.com/2020/03/08/im-not-insane-hannibal-s03e08-the-great-red-dragon/
  9. https://thecannibalguy.com/2020/03/29/hannibal-309/
  10. https://thecannibalguy.com/2020/04/19/murder-and-cannibalism-are-morally-acceptable-hannibal-310/
  11. https://thecannibalguy.com/2020/05/17/hannibal-3-11/
  12. https://thecannibalguy.com/2020/06/07/hannibal-312/
  13. https://thecannibalguy.com/2020/07/05/hannibal-s3e13/

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“Meat’s back on the menu”: HANNIBAL S3E13: “The Wrath of the Lamb”

The grand finale of Hannibal.

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Finales have an obligation to tie up loose ends, answer questions, bury the bodies. It’s the showdown, the shootout, the denouement. But they don’t have to spell it all out too clearly, particularly for the more discerning audience who watch artistic masterpieces like Hannibal. Hannibal Lecter always leaves us thinking.

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Yes, Dr Lecter, we will think about you. What you have to teach us about lots of things, not just about cuisine.

In the first episode of Season 1, the serial killer and cannibal Garrett Jacob Hobbs kills his wife and slits his daughter’s throat because Hannibal has warned him that the FBI “knows” about him. Will shoots him several times, but as he dies, or even as he lies there dead, he smiles at Will at asks:

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Each episode of this extraordinary show has had a theme that can be teased out – some more obvious than others. The theme of this one is multifaceted; it is about life, death, growth, conspiracy and betrayal. The plot is convoluted: the serial killer Francis Dolarhyde has faked his death but has revealed that he wants to meet, greet and eat Hannibal. Hannibal is locked up in The Baltimore Asylum for the Criminally Insane because of his own cannibalistic serial killing events. You will perhaps remember Hannibal gave himself up at the end of episode 7, so that Will would always know where he is. That, my friends, is love, Hannibal-style. But he is not enjoying the rigors of asylum living:

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The FBI wants them both dead, and conspire to “fake” Hannibal`s escape to lure the Dragon.

Will doubts that he will survive this conspiracy and betrayal

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Everyone else is terrified of Hannibal really escaping and coming for them. Hannibal`s former psychiatrist and, well, housemate, Bedelia, is convinced this is a terrible idea. She quotes Goethe’s Faust, a work much loved by Hannibal as well:

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Will has no sympathy. He knows Hannibal will also come for Bedelia if (when) he escapes, because she is on his menu.

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Alana knows Hannibal is going to kill her, because he has promised to do so, and reaffirms that promise:

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Will knows The Dragon will free Hannibal, and then try to kill him, change him, absorb him, as cannibals are so often accused of doing to their victims. We absorb the nutrition of our food, why should cannibals not absorb the strength, spirit and experiences of their victims? And Hannibal is willing to play along, as long as Will asks nicely:

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The climax is at Hannibal`s house overlooking the “roiling Atlantic”, where the Dragon takes on Hannibal and Will takes on the Dragon. Who has conspired with whom, and who is being betrayed?

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Will replies:

“If you’re partial to beef products, it is inconvenient to be compassionate towards a cow”.

The battle is epic, brutal and bloody, and we expect no less. Will learns his lesson at last, that blood really does look black in the moonlight, as Hannibal told him in episode 9. That life and death are not opposite or even separate but part of the “becoming”. That his extreme empathy and Hannibal’s cruelty are one and the same.

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That murder and mercy, as Thomas Harris told us at the end of Red Dragon, are just human constructions, and mean nothing to nature, “the Green Machine”, which is indifferent to who lives and dies, and to conceptions of right and wrong. When we inevitably die, someone will eat us, and nature cares not a whit the species of the eater or eaten. Natural selection means that the Dragon, with the gun and the knife, will kill and absorb Hannibal. The Green Machine doesn’t care. This is what Hobbs was trying to tell Will in the first episode, and what Hannibal has shown him, 38 episodes later.

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But then, there’s love and compassion, the emotion that makes a rat fight a snake to protect her young. Will and Hannibal – together at last, covered in blood, cut to ribbons, but feeling the love.

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Is Hannibal dead?

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The Death of Sherlock Holmes | Conan Doyle Info

Remember how Sherlock Holmes and Moriarty fell to their deaths into the Reichenbach Falls in 1891, causing a massive public outcry among their avid fans, only to see Sherlock reappear in 1894, explaining that he had faked his death to fool his enemies? Well, Bryan Fuller has given us a pretty great clue, as in the final scene we see Bedelia sitting at a table with three settings, about to enjoy a sumptuously prepared meal, the centrepiece being her leg, roasted to perfection.

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Who’s doing the cooking?

We hope, we conspire, we betray, we demand Season 4. Remember that this whole story, the three seasons, has been a prequel to the book and film that made Hannibal famous, The Silence of the Lambs. There is plenty of material in there with which to continue the story, or reimagine it as Fuller does so very well, perhaps, as he suggested, with “Margot Verger taking down the meat industry as a hot, powerful lesbian” and turning them over to PETA.

Hugh Dancy, when asked about another season, suggested it might take five years. Well guess what, Season 3 finished in 2015…

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Next week I’ll publish, for ease of reference, a complete listing of my Hannibal blogs.

Cannibalism as a delineator of civilisation

Exchanges: The Interdisciplinary Research Journal has just published:

A ‘horrid way of feeding’: Pervasive, aggressive, repulsive cannibalism

Abstract

Cannibalism both fascinates and repels. The concept of the cannibal has changed and evolved, from the semi- or in-human anthropophagi of Classical texts to the ‘savage’ cannibals of colonial times, whose alleged aberrations served as a justification for invasion, conversion and extermination, to the contemporary cannibal driven often by psychosexual drives. Cannibal texts typically present the act as pervasive, aggressive and repulsive. If these parameters are admitted, alleged cannibals immediately fall outside normative European humanist morality. This paper examines cannibalism as a major delineator of the civilised human. Cannibals offer social scientists a handy milestone to confirm the constant improvement and progress of humanity. The idea that colonised peoples were not savage, degenerate cannibals threatens the concept of the ‘Great Chain of Being’, which was assumed to show an inexorable progress from plants to animals to humans, and upward toward the divine, led by enlightened Western civilisation. But cannibal mythology, factual or imaginary, offers an opportunity to re-evaluate the assumptions of human supremacism and see ourselves as edible, natural beings.

The full paper is at:

https://exchanges.warwick.ac.uk/article/view/456

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The Boy – The Road